Enchantment — wherever we may find it (as in nature, poetry, music), or wherever it might find us (as in love) — is not escapism but a truer realism than cynicism, pessimism, or optimism. In allowing us to touch the extraordinary, enchantment — which asks of the courage of the encounter — returns us to our lives more in love with the so-called ordinary world, which, we must also not forget, is itself an extraordinary triumph against probability.
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In music, we learn that being in harmony with the world doesn't mean everyone is singing the same note at the same time. It's about embracing the dissonance and following the heart to home. We learn that being in time with the world doesn't have to mean stepping into line.
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I'm of the view that every day of life in Cuba is a struggle for survival. And beyond the mantras and the worn out political speeches, I believe that living in Cuba each day is an act of resistance.
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The who is the whole point about character animation. It is not what a character looks like, or indeed how it's drawn.
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