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Eiichiro Oda is a relentlessly obsessive creative genius who has devoted nearly every waking hour of his adult life to building one of the most extraordinary fictional universes ever imagined.

— Founders
11h ago

Stories are not just entertainment. They are the technology humans invented to help us understand the motivations and actions of other people, and to communicate our own needs, experiences, and intentions.

2d ago

It's not like she has her value system, which kind of clashes with what she finds. She's like a Tabula Rasa at the beginning, and she's quite childlike and very open. And so it's not just the way, the very restricted way in which she actually reads the world that appealed to me. I wanted some of that childlike freshness and openness and naivety to survive all the way through the text in her.

3d ago

Stories, he says, are fundamentally about the negotiation of social life. They're about conflicts between characters, conflicts between desires, conflicts between values. And when we immerse ourselves in stories, we are essentially running simulations of human experience.

3d ago

It's not like, you know, she has her value system, which kind of clashes with what she finds. She's like a tabula rasa at the beginning, and she's quite childlike and very open. I wanted her to remain like a very optimistic character who has a childlike faith in the presence of something good and protective in the world, even as she learns all these other things, darker things about the human world that she occupies.

5d ago

Stories are how we make sense of the world, how we communicate with each other, and how we understand ourselves. But stories can also mislead us, by making the world seem more coherent and predictable than it really is.

6d ago

Stories are so central to the human experience that researchers who study them have come to think they play a fundamental role in allowing us to understand the minds of others. Psychologists call this 'theory of mind' — the ability to recognize that other people have thoughts, feelings, and desires that are different from our own. Without stories, some researchers believe, this ability might never fully develop.

1w ago

We understand the world through the lens of narrative. When someone offers us a story, our defenses come down; we are transported into another world, and in that world, we update our beliefs and feelings. Stories don't just reflect reality — they shape it.

1w ago

Stories are how we make sense of the world, how we connect with others, and how we understand ourselves. But our love of stories has a dark side: it can distort our thinking, make us vulnerable to manipulation, and cause us to ignore evidence that doesn't fit our preferred narrative.

1w ago

Some researchers think the drive to explain the world is a basic human impulse, similar to thirst or hunger.

1w ago

I think the goal is to find things that feel anti-algorithm — stories and characters that couldn't have been generated by a machine trying to please everyone. And weirdly, I think that's what connects with people the most, because audiences can feel the difference between something that was made to be consumed and something that was made because someone was burning to make it.

1w ago

It's because of the intimacy. It's because even still with looking at, you know, here in 2026 where there are so many things that are inspired by what we do. I think that we were one of the first to really create this moment. like when you're watching on screen, you feel like you're there

2w ago

Holmes was the one who rode the wave better than anyone else. When the TED talk era came to an end and people finally came to their senses, she was still running the same playbook and in the most scrutinized field there is medical technology. When people ask how she got so far, it is largely explained by the period she did it in and she got caught when the world suddenly woke up.

2w ago

Everyone had an expression of their fear that they had wanted to show. And you can't ignore your blackness when you're writing a horror story. It's like black horror serves a purpose in that it provides a place for people to through writing it, creating it, shooting it, directing it, or taking it in to kind of process this elemental human thing that we all deal with, which is fear.

2w ago

I had thought I was going to write about this elderly gent living out his later years in this college and it was supposed to be a friendship that he forms with a young Indian woman student. And then I sat down to write the story and for some reason there appeared on my typewriter the words when he woke up that morning he was dead. I thought where'd that come from?

2w ago

I decided I needed a piece of media with a woman who's been underestimated by men for 50 years and a woman who spent 50 years telling them they're wrong.

2w ago

Shakespeare had a little trick to get people clapping. He would often write in the epilogue lines to get the audience to applaud. You know, it's a little weird when I've just said, 'Okay, please applaud now.' And then of course people applaud.

3w ago

I did what I thought, at least my curiosity and these women deserved and I started to, you know, look for their music, their names. And then I discovered one story and another story and another story.

3w ago

David's help and input was always to expand what I'd started and just more to think about more colors, more ideas, more suggestions about how to really deepen and enrich the character, the scene, the moment, whatever it might call for.

4w ago

I did what I thought at least my curiosity and these women deserved. And I started to look for their music, their names. And then I discovered one story and another story and another story.

4w ago

In the Mood for Love is one of my favorites. I think it's a beautiful example of a horny movie where there's no touching. There's no kissing. Like it is just two people going off of vibes and you can feel it.

1mo ago

The whole reason why I had become a novelist and wanted to tell stories was so that I could understand my family and honor everything that they had been through, and I kept putting off all these opportunities to sit down with my grandfather and hear his stories and interview him and record him and get all these details because I was just so embarrassed at where my Chinese was. I was too ashamed to speak up, and now I'll never get that chance.

1mo ago

I'm kind of thinking now, seeing the world the way it is, if I had my druthers, they'd be considered cautionary tales, not aspirational. I don't know, maybe we've had enough anti-heroes for a while, seeing the country the way, the shape that it's in.

1mo ago

people like Willie Nelson, people like Dolly Parton, these really great storytellers, when they're singing, you know, if you see Dolly Parton on TV singing, and you press mute, it just looks like she's talking to you, because she is. She's telling the story.

1mo ago

When researchers studied what actually drives charitable giving, they found that people are far more moved by the story of a single identified victim than by statistics about thousands of suffering people. In fact, adding statistical information to an emotional story can actually reduce donations — the numbers seem to crowd out the feelings that motivate generosity.

1mo ago

The work that I do is very culturally difficult because what I'm doing is, in a large part, I'm talking about very difficult things in our history to mostly white audiences, you know? So every night I'm sort of just burying everything, you know, so that people can have an emotional connection to some really, really difficult history. I shouldn't have to do that, you know?

1mo ago

Daffy was an interesting character, I think, because he would rush in and fear to tread at the same time. And he also could be fawning and overbearing at the same time. And I think that happens with very many of us when we, sometimes in the reverse, when we go in to talk to the boss and ask for a raise, we're overbearing, when we get inside, we're fawning. But Daffy is both at the same time.

1mo ago

I didn't want to play Tasty in the beginning. Why not? You know, because she was an inmate and because I was nervous coming out of Juilliard, 21 years old, like, oh my gosh, I'm about to play an inmate and what is that, you know, saying about Black women, you know, what viewpoint am I putting out about Black women?

1mo ago

I just keep doing that with my books. my characters are getting older along with me. I guess I can remember reading books when I was younger about older women and thinking, isn't that interesting? They're still they still have a rich inner life. They're still people, still have relationships. And things still matter. They're not just sort of blobs.

1mo ago

What I wanted was to do a story about an ordinary person, an ordinary farmer, caught up in tumultuous events, events that would feel, I think, although it's set in the medieval world, would feel very familiar to an audience today, because I think in many ways, when you think of the turbulence in our world today, it is driven by these great inequalities and the rage that people feel about elites and all those things that wherever you are on the political spectrum, I think we recognise that that's what's going on in your country and mine and Europe and beyond.

2mo ago

And his first note and recurring note to me is yes, that's great, it's very funny, now let's make it true. And I think that's his great gift to this material is that he's given it a great big sort of beating Arthurian heart. And that's an extra dimension that you just sort of don't expect.

2mo ago

We explore how Dolly took the centuries-old tradition of the Appalachian "murder ballad"—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman's point of view.

2mo ago
Radiolab
Patient Zero

The greatest mysteries have a shadowy figure at the center—someone who sets things in motion and holds the key to how the story unfolds.

2mo ago

In journalism, I have a lot of conviction that great stories aren't going anywhere. The need for high-quality insight isn't going anywhere. Great reporters aren't going anywhere. What surface this all lives on is up for grabs, and you can't be too ideological about that.

2mo ago

Underscored — save the words that stop you in your tracks.

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