I had thought I was going to write about this elderly gent living out his later years in this college and it was supposed to be a friendship that he forms with a young Indian woman student. And then I sat down to write the story and for some reason there appeared on my typewriter the words when he woke up that morning he was dead. I thought where'd that come from?
My greatest desire as a writer is to never have a voice. I I I don't want to have a voice of my own. I want to disappear in what I write. When I find myself on the page, I view that as an enormous failure.
AI is essentially looking at patterns and trying to guess what the next word should be. And such that it's a regression to the mean. AI takes everything to the average and people aren't interested in reading average or average doesn't grab your heart. It's something that's an outlier that you haven't seen before that resonates with you.
I think I've had the feeling both times after my children's death, that words often fall short. And falling short doesn't mean not succeeding. Falling short doesn't mean failing. But when I started a new project, I would like a subject that words naturally fall short. So music is that choice.
You go to these places and you think no one is ever going to be able to meet you there. Then you write a story and suddenly hundreds of thousands if not millions of people are meeting you there.
AI really wants every sentence to be the most important sentence. It's like there's no like thinking ahead to to the um to like to the end of the essay or something. It's just trying to make every sentence sound impressive, which makes it very tiring to read.
For me, funny and sad go together kind of like chocolate and peanut butter. They enhance one another and for me the saddest books are the ones that have wit and humor because I think through humor you get those flashes of what makes life glorious and mysterious.
I find if I'm not at the desk working in the morning, the every hour I'm waiting to get started is substantially decreasing the quality of what I bring to the table.
People say that they don't like road trip books. And I thought about why that might be and I do get it and I think it's because you can't use minor characters in the same way that you can in other books and you also can't like place is hard cuz you're moving from place to place. So, every place has to make a big impression. Every character has to be very clear who they are in their your first interaction with them.
Is the problem with New York that every last inch of it has already been chronicled? Have we exhausted all the encounters in parks decked out in golden leaves or swayed in snow? New York has spent decades acting as itself, serving as set and protagonist for love affairs, mysteries, dirty deals, and thwarted dreams.
Is the problem with New York that every last inch of it has already been chronicled? Have we exhausted all the encounters in parks decked out in golden leaves or swayed in snow? film and literature have squeezed New York of all its dues and maybe left it dry.
The American way is that you should always know what you're doing. You've made a decision and you should stick with it. But the fact is that no writer knows what they're doing until they've done it. The way that you get to the miracle of writing is bird by bird.
Alice feels betrayed by her own mind for a lot of the book. Um when I started the novel, I did it, too. And the reason why the prose is kind of jarred and chaotic and it's crammed with references that feel like they're about to spill over and just explode, that's because that's what living in her mind is like and what living in my mind was like.
I do think the purpose of life is exploration. So, how could answers to the unknowable questions of the universe from a from an advanced species, how could that not be catnip? How could you not want to go? But my life as a writer has been about exploration here. How could I not stay?
It's hard to tell people about grief. It's hard to talk to people about poverty... and so I'd got very used to the silence in my own life, and my writing is the only thing that allows me to connect with myself.
When that sentence comes into my life, whether I'm reading it to teach, whether I'm rereading it to write, whether I'm reading it out loud, even just now, tears always spring to my eyes.
I literally loved writing from the very first time I read Nikki Giovanni's poetry. Loved it. And for me, one of the most powerful things about Nikki Giovanni is she made the ordinary so beautiful.
I literally loved writing from the very first time I read Nikki Giovanni's poetry. Loved it... I could smell the lotion between my grandmother's legs when she would braid my hair when I read Nikki Giovanni. Like, I love that. I wanna write like that.
Creativity and talent and drive are not the only things that make authors. Writing is something that requires quite a lot of time and time is very expensive and the piece that you need to have that time is expensive.
I really want to give them the most amount of swoon as I can. I want people to read these quieter moments that are the louder moments in the book, but quieter moments in real life and be able to relate them back and think that was really romantic when my partner did that for me.
